Prints are part of the DNA of the house.
They are where each collection begins, not as decoration, but as a way of thinking. Every print starts by hand, in a direct and instinctive gesture: brush on paper, color finding its own rhythm.
From there, the process becomes one of translation. Drawings are reworked, layered, sometimes undone and rebuilt, moving between control and chance. What begins as something intimate gradually opens up, becoming fluid, less fixed.
In Spring 2026, prints unfold across the surface like something in motion; shifting with light, with air, with the body.
Follow the process — from first gesture to final garment.
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