PRINTS AS A LANGUAGE

Prints are part of the DNA of the house.

They are where each collection begins, not as decoration, but as a way of thinking. Every print starts by hand, in a direct and instinctive gesture: brush on paper, color finding its own rhythm.

From there, the process becomes one of translation. Drawings are reworked, layered, sometimes undone and rebuilt, moving between control and chance. What begins as something intimate gradually opens up, becoming fluid, less fixed.

In Spring 2026, prints unfold across the surface like something in motion; shifting with light, with air, with the body.

Follow the process — from first gesture to final garment.

PRINT IN FORMATION

Color is placed, then left to move.
Pigment is applied directly onto the fabric where it begins to spread, to bleed, to find its own edges. The process is guided, but never controlled.
The shapes are not drawn, but formed through absorption. As the color settles, it creates soft contours, unexpected overlaps, and subtle shifts in tone, moments where one hue dissolves into another.
Each print captures that exact instant: where intention meets chance, and where the material itself becomes part of the image.

SELECTION

From the initial paintings, a process of selection begins.
The prints, first created on fabric, are scanned and brought back into a new format. Printed on paper, they are viewed again; side by side, in fragments, in repetition, to understand how they behave.
Some remain too still, others too present. What is sought is a certain balance: a print that holds the silhouette without overwhelming it.
Only a few are chosen, those that feel in dialogue with the collection, and that can move naturally with the garment.
From there, the print becomes part of the garment.
It is placed in relation to the cut; sometimes following the lines of the silhouette, sometimes deliberately shifting away from it. Scale, placement and rhythm are adjusted, allowing the print to move with the body rather than sit on it.
What began as something instinctive finds its final form in wear.